We’re fast approaching the moment when all of us fully agree that summer is properly over. Of course we’ve made inroads toward that already what with school getting back in swing yet each of us still has our own special marker for when our minds fully shift into the realm of pumpkin spice and tissue ghosts. After being canceled last year my defacto switchover, the final town festival, is right around the bend. As usual I like to have something of a segway piece, something with its feet planted in the daffy action heavy attitude of summer yet with a touch of spooky and foreboding. Wouldn’t ya know that things lined up just right for an Ultraman review.
Ultraman Taro took a side step from preceding shows by opting for a lighter, more family friendly, tone. The themes were things like fairy tales, music, motherhood, that sorta thing. It’s still tokusatsu so there’s plenty of sad stories to go around just with an extra helping of rainbows and cartoonish antics to offset those dark moments. Honestly it’s a breath of fresh air after watching multiple shows adhering to largely the same formula. Just consider how instead of doing a seasonal horror section the show opts for a sequence of episodes based on nursery rhymes. The downside is that the show can feel too simplistic and meaningless but the upside is the extra dose of weirdness that can result from a more childish approach to the subject matter.
Our hero this time around is an energetic lad called Kotaro Higashi. Guy grew up an orphan only to become something of an odd job journeyman. When we first met him he’s working as a sailor which is what eventually ends up getting him a living space as his captain invites him to saty with the fam. Throughout the series Kotaro displays a good deal more personality than his predecessors. He’s a bit more lively, immature, and fun-loving. Early on he has some dream of being a boxer though that fades out with little fanfare. Plus his mommy issues are only sorta half-resolved. I get the feeling that the actor portraying Kotaro isn’t quite as good as some earlier Ultra dudes but having a more defined personality really helps to set him and the show itself apart from the pack.
The supporting cast is sort of a strange case this time around. For the most part the usual assortment of personalities and roles are filled yet Taro has a higher amount of cast-changes and character disappearances. The monster fighting team for this series, ZAT, has at least two character swaps along with a commanding officer who will vanish for vast stretches, think he slipped away for upwards of 16-17 episodes at one point only to be around for 1 or 2 before fading into the background once again. One team member is introduced in like the final three episodes, it’s so odd. In what I believe is a first for the series a character is actually recast around the episode 20 mark. That level of turnaround tends to make shows feel a bit slapdash though it doesn’t become a huge problem thanks to the lighthearted, anything goes, tone.
All behind the scenes drama aside how is this crop of heroes? Let’s start on the home front. As far as kid sidekicks are concerned, Kenichi is one of the better ones. He actually seems like he has a good head on his shoulders and tries to be useful. His older sister, and love interest for Kotaro, Saori is sadly forgettable. Oddly enough both of them fade into the background during the back end of the series.
As for the ZAT crew the character shifting makes it hard for many of them to endure themselves to the audience. The ones that manage to stand out are lead by Aragaki. Though he’s just a lieutenant he ends up serving as commander for much of the series yet his laid back nature makes sets him apart as a fun boss. The primary lady of the team is Moriyama who will stand out to male viewers due to being cute as a button and having some kicking legs. Finally there’s Kitajima who at first fills the role of goofy guy and works his way up to sensitive best bud for Kotaro. To be honest I lost track of many of the other characters.
Technically there’s one more wing of supporting cast thanks to an increased amount of Ultra cameos. That’s right; every past hero from Zoffy to Ace comes round at least once or twice along with the addition of Mother of Ultra. The audience finally gets to visit the land of light and there’s some other surprise guest spots I won’t dare spoil.
Taro is without a doubt a step up from Ace. Despite whatever flaws the silly tone might bring with it the show knows what it wants to be and holds true to that course as much as it can. There are still shifts ins style throughout the show thanks to the changing cast and an occasional return to what feels like the Ultra Q anthology approach with some episodes having almost nothing to do with Kotaro and ZAT. Even with those detours the show never losses sight of what it is, nor does it try to copy exactly what came before. Even the ending is far different than usual for an Ultra show of this era, leaving off on a more humanistic note. I’d definitely rank this show lower than the major classics like Ultraseven, probably lower even than Return of Ultraman, but given how much better it is than Ace, and how much consistent it is than Q I’d still recommend it to most toku fans. For newbies there are so many other good options to take on first though this one has a few extra nutty episodes worth checking out on the side.
This time around I was downright negligent and failed to keep a running tally of highlight episodes, opting to just see how it all shook out in the end. You’ll forgive me then if this list comes out a little scattershot. In viewing order here’s four adventures that stuck with me.
Episode 11: The Vampire Flower is a Girl’s Spirit
Easily the first episode to really stand out thanks to a combination of horror and the series theme of orphans. Not only Tokyo under attack from blood-sucking plants but a little girl may be the one to blame for it all. There’s some solid emotional stuff here along with a properly spooky ending.
Episode 20: Surprise! A Monster Fell From the Sky
Another one that touches on parenthood, mothers in particular this time concerning a baby monster that feel to Earth and it’s mothers efforts to retrieve it. Contrasted against that is the drama of a woman nearly mad with grief over the loss of her child.
Episode 42: The Phantom Mother is a Monster Master
One of my favorite things about the Ultra franchise is what a story goes sad crazy. I don’t mean being extra depressing, though I love that too, but when a story is nuts and driven by a sense of sadness. We have an almost perfect example of such a story right here with a man recreating his dead wife as a robot who then manipulates a monster into getting revenge on cars. Equal parts daffy and dark make for one excellent half-hour of television.
Episode 44: Oh! Taro’s Going to be Eaten
It’s beginning to feel like every series of this franchise has a set goal for one extra crazy episode that has to top everything that came before it. Ace had jumped into the lead with a Christmas story focused on ocular trauma but Taro slaps that aside with this bonkers tale of ogres and beans. Everything here is just plan crazy from the sounds, editing, emotional whiplash, and bizarre final battle involving a vicious clubbing. Can’t even tell you the workout the rewind button got with this treat of weirdness.
And with that we can mark the end of CosmicSparky’s summer. Got a busy few days ahead but then I’m rearing to get the next season kicked into high gear, and I think the weather’s in agreement. Looks like it could be a big Halloween with some stores and brands really pumping out a lot of cool stuff and those lovely vaccinations making it just a bit easier to get out and about. You all stay safe out there and I’ll be back next week to kick off the season in style.
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