In the time since
the last proper Star Wars book club feature the franchise has changed
dramatically. The Mandalorian proved to be much different than
many people were expecting but still lots of fun, Resistance
has come and gone, The Clone Wars has returned for a final
season, and Rise of Skywalker got a lot of peoples panties in
a bunch. While I've managed to watch and enjoy the majority of this
content, I've largely neglected the written word wing of the series.
That is until discounted reading material fell into my lap and a
certain alternative script for Episode IX leaked online. Suddenly
I've been thrust back into that galaxy far far away. With all this
content at my fingertips why not revive the old book club feature
with a double review of Star Wars: Kanan from Marvel Comics
and the script for Duel of the Fates from those guys that
brought us the dreadful Jurassic World films.
Kanan
Back when I made a
point of keeping up with SW novels I still had a general rule of not
getting sucked into the stuff coming from Marvel Comics. Not for any
deep reason mind you, I adore Marvel, but simply because I could
barely keep up with the traditional books. Adding comics to the mix
would have been impossible at the time which means this complete
hardcover collection of Kanan marks my first venture into this wing
of modern continuity.
As you might
expect given the title, this comic centers on Kanan Jarrus of Rebels
and New Dawn fame with the focus on flashbacks to his time as
a Padawan and his survival of Order 66. Fans of the show will get to
see his Rebels crewmates in the framing scenes just don't
expect much from them save for the final issue. This is about a
budding Jedi and his strange master. Even at that this is very smooth
and breezy entertainment, not dense emotional reading which is
largely why it succeeds.
If I recall
correctly this series was originally meant to be only 5 or 6 issues
before receiving an extension. This shows in rough transition from
the first story into the second with the flashbacks from the second
arc being earlier in continuity than the first. Essentially it’s an
ouroboros of a story but maybe that will make for a stronger reread
later on.
While the framing
device concerns a basic Rebels mission that returns to a
planet from Kanan’s past the main action is in his past. For the
first arc we see a little of his time in during the clone wars
learning under master Depa Billaba. He’s got some clonetrooper
buddies and a good relationship with his master due to their shared
questioning nature. Depa is one of those characters you can see in
the margins of the films and she even had some appearances back in
the Dark Horse Comics. As for her personality here I wish she’d
gotten more attention overall as she seems like one of the few Jedi
with half a brain.
As I’m trying to
avoid spoilers I won’t mention the particulars of how Kanan is
seperated from his teacher but the remainder of that first arc
concerns his introduction to the world of smugglers and criminals
that shapes his identity moving forward. It’s well-balenced tale
concerning his personal struggles alongside some fun interaction with
different underhanded types.
The second arc
moves back to how Kanan originally met his master to be and became
her Padawan. While it benefits from more Depa it isn’t as memorable
a story to the point that I’m blanking on a few details.
The writing from
Greg Weisman is very snappy with some excellent interplay between
characters and speedy pacing. As someone with a fairly passing
familiarity with the title character I found myself caring more about
him during these adventures than I have in the past. Seeing as
Weisman has a background with animated shows it makes sense that he
knows how to keep things straightforward without becoming boring.
What helps immensely is the killer artwork Pepe Larraz. This guy
knows how to make a killer pretty comic book. Every page is gorgeous
and cinematic with just the right touch of cartoon aesthetic.
Thankfully he’s the artist for nearly the entire run with only two
issues featuring fill-in artists. One of them does a decent job of
keeping the look consistent, the other is sadly too rough, kinda like
a rough sketch with less interesting panel work.
So yeah this was
the most fun I’ve had reading anything Star Wars in quite some
time. There’s nothing all that surprising or vital about the story
but it’s just solid, attractive comic goodness. In a way it’s
much like The Mandalorian in how it exists as a fun adventure
that doesn’t overreach or outstay its welcome. It’s a very short
read as well but if you come across an inexpensive copy I’d
definitely advise picking it up. Thing was good enough to get me
considering more of the Marvel material. God, just when I think I’m
out they pull me back in.
So let's chat
about this Duel of the Fates thing. When this original script
for episode IX by Colin Trevorrow and Drek Connoly first leaked to
the net everybody started talking about how much better it would have
been than what we got. Before even getting into a review let me
firmly establish that is not true. Rise of Skywalker may have a
wealth of issues but this thing is a goddamn dumpster fire of the
first order… see what I did there?
Reading this
script makes it very clear why these original writers still got some
credit for the finished film as the two projects share a lot of the
same beats only to achieve far different results. Take for example
how in each story Kylo Ren obtains a device on Mustafar that leads
him to an elderly Sith master on another planet. In the films case it
is Palpatine on Exegol who marks the main conflict of the story. In
this script is is some asshole we’ve never met before on a planet
called Remnicore in a sub-plot that lasts like two scenes. There are
countless other similarities such as rebelling stormtroopers,
force-sucking powers, a fake-out character death, the wasted
potential of the Knights of Ren. Yet the script manages to make even
worse twists and turns as events unfold. When retelling the plot to
my brother I initially forgot the revelation of Rey’s name simply
because it was such a none moment.
Character
placement and development make little to no sense. General Hux really
wants to wield the force, a practice that leads to him commiting
suicide with Mace Windau’s lightsaber. Poe and Rey have an awful
romantic sub-plot that goes nowhere. Maz Kinata isn’t even
mentioned. Everyone is seperated more often than they were during
Last Jedi. And then there’s our force users. Kylo Ren barely
interacts with anyone and isn’t a threat. Sure he has an evil
scheme but it amounts to nothing as if the whole universe would have
been better off ignoring him. As for Rey, yikes… these guys can’t
write a woman. The developments they’re most interested in for Rey
are her new tighter costume, fancy new lightsaber, and her assuredly
more mature body, it’s a little creepy honestly. They even take the
Falcon away from her, and people say Abrams was feeding negative
fanboys. The final duel has no actiual reason to happen and resolves
with decision from Kylo that had no build-up.
Even worse than
the bonkers characterization and atrocious dialog (no one is no one)
is the simple fact that this doesn’t even feel like an ending to
this trilogy, let alone the primary saga. The key conflict pretty
much amounts to restoring cell phone service while Rey tries to stop
Kylo from reaching a fan-service planet. There’s less happening
than in the film and yet there’s somehow less action and character
development too. Lea is reduced to being kind of cowardly and
apparently nothing changed for Lando who I believe is in two scenes
total.
While doing my
best to avoid major spoilers about the film I can probably sum up the
scripts lackluster nature with one vehicle. Much like the movie there
are super-powered Star Destroyers in this script. While the ones in
the movie are convenient to say the least the audience is given
enough information to make up their own origin. In this script there
is only one such ship. It’s title is the Finalizer, actual
spelling. Hux has it, it suddenly appears, has no point of origin,
and despite being capable blowing up planets it finds ships much
harder to deal with. Rather than have this thing appear as a sign of
how desperate the conflict is they simply use it as a set piece where
our heroes fly through chunks of exploded planet and shout quips at
each-other. Probably not the best way to showcase a deadly tragedy
but that's just how these gents operate.
For as awful as
this script may be I honestly encourage anyone who can track it down
to give it a read. Being entertainingly bad in a text format is a
tough feat to pull off. With all the rubbish descriptions, putrid
dialogue, and silly ideas there’s bound to be something that will
give you the giggles. God, did I even mention when R2 plays a clip
montage from the old movies? That shit totally happens. Lucasfilm
made a smart move in canning this project and thankfully this script
will linger as a relic of the weaker ending we could have been stuck
with.
Thus marks my
slight return to the realm of Star Wars written material. Actually
I've got another post of two's worth of content to cover in this
field but for now this will have to do. It's nice to find something
like Kanan that provides solid entertainment alongside the likes of
this dreadful script as it showcases all the folds and permutations
of a franchise in flux. An announcement for a new wave of High
Republic content focusing on the era 200 years before Phantom
Menace come out recently. I'm curious to see what can be done
once the pool of writers are allowed more freedom to craft stories
without dancing around current movies. That's a topic for another
night however. Right now it's Saturday night and I need me some
horror movies. Ta.