Like most anybody from the first world,
I began amassing music during my teens, late teens in this case. It
wasn't the largest selection, primarily due to my notoriously picky
nature, but boy was it ever solid. Of course poverty prevailed and
one day those CD's were sold off to a nearby record store that at
least had the good form to stroke my ego by praising the quality of
my music selection. After that came years of lackluster downloads,
and haphazard file organization. I began to miss the days when music
was something to take a little pride in, so recently I wondered down
the rabbit hole of getting into vinyl records. I'll tell ya, it's not
a tough hobby to get started, albeit with a few potential pitfalls
and some misinformation floating around. I figured it would be a fine
time to start sharing some tips I've learned thus far and maybe start
doing some coverage of the hobby as a recurring feature.
When I decided to look into a record
collection, few things could have prepared me for the onslaught of
crazy I was about to uncover. Turns out a good deal of record
collectors are a truly nutty and superstitious lot. Of course like
any other group there are some with more sensible outlooks. Still;
there's an alarming amount of misinformation and half-truths floating
around, seemingly in a sad attempt to keep the hobby feeling like an
exclusive club.
Case in point, there are claims that
inexpensive turntables will ruin your LP's. This is something of a
half-truth. When it comes to those cheapo Crossley players I've heard
legitimate, sensible explanations of how they could damage a disk. On
the other hand, I've seen those same claims leveled at decent tables
simply because they don't cost a months rent. Certainly it's a good
idea to get as nice a player as possible but it's still totally
possible to spend less than a hundred on a table and be just fine.
Even some positive reviews can make
inaccurate claims. For instance, I eventually went with the Audio
Technica LP60 as it is supposedly the overall best starter turntable.
One favorable review of the item stated a flaw that the arm didn't
automatically lift when done playing a side. As you might imagine I
waited rather impatiently during my first time and guess what, the
arm lifts and returns to it's rest every damn time, so why the
misinformation?
Another of the big conflicts among
record folk is colored vinyl. Many claim that colored vinyl has
inferior sound compared to the standard black. However, I've yet to
find anyone attempt an actual scientific test of this theory. Beyond
that, the so-called proof of lower sound quality is a hiss, a
phenomenon prevalent to all LP's due to varying amounts of static
charge which can be taken care of by various means. As someone with a
mix of black and colored releases, the most notable difference so far
has been due to the audio master used for each release. Even on a
single release, static hiss can change from one disk to another. My
colored double LP of the Flower soundtrack has very noticeable
static hiss on the first disc yet the second is as pure and wonderful
as a purring kitten.
The biggest issue with all the
different dramatic claims is the added difficulty in sussing out
useful and trustworthy information. One area where there seems to be
almost universal accuracy is the need for better record sleeves. Even
with my fairly small collection I've already encountered several
releases with god awful paper sleeves that leave bits of papery shit
all over the LP. You can guess how happy the stylus is when it hits
those leftovers during play. This is one area where you should
totally listen to enthusiasts. A good number of them introduced me to
Diskeeper Audiophile Sleeves and no joke, these things are
incredible. They cut down on dust and static while making it easier
to access all of my disks. A pack of 50 costs about as much as a new
record but it's more than worth it.
So let's say that like me you want to
get into nice physical music, but can't spend a ton. Let's look at
what I picked up to give you an idea of a very basic set-up.
Turntable wise I bought the Audio
Technica LP60, that companies entry level model. It's a solid piece
of equipment all around, plays well, can handle two different LP
sizes and speeds, plus a built in phono pre-amp which makes it crazy
easy to hook up to speakers and start listening. There are a few
issues however. The unit lacks a volume switch of any kind meaning
you must rely solely on speakers with volume control. Also, it lacks
most of the customizing options of higher end gear which means if you
end up wanting something better you'll have to drop cash for a whole
new machine. Honestly I'm enjoying the new hobby enough so far that I
almost wished I'd opted for the next model up but this is still a
good way to get started and it's easy to get for less than a hundred
bucks.
Unless you're the sort who leaves
sound equipment laying around, you'll need speakers. All we had in
excess were some crazy cheap twelve dollar computer speakers which as
you might imagine were horrid. Similar to the turntable I didn't want
to destroy my bank account to get decent sound, especially since
living conditions prevent complex set-ups and high volume. Thankfully
I found out about Edifier. By all indications, these should be
terrible. I mean we're talking about hundred dollar electronics
straight outta China. After reading and viewing a stream of glowing
reviews though I decided to give em a chance. Man have I ever been
impressed. Once again, there's certainly a better option out there
for someone with more room and cash but for a standard bedroom
listener these offer surprising depth and clarity, and I haven't even
begin to test the limits of their volume which is supposedly quite
high.
Of course none of the means much
without some tunes and that's where the real fun, and occasional
frustration lie. Few hobbies offer such a wealth of content options
from new releases, to rare special editions, and ancient thrift store
finds. Yet even with that wealth of choice there's still some
releases that will drive you crazy because of limited print runs, or
finding out that one of your old favorites never hit the format. Then
there's the harsh truth that albums with only two or three songs you
love, simply aren't worth the effort. Vinyl is a format that promotes
listening to the entire album, so be sure to get stuff that's at
least 90% quality tracks.
If you're willing to go through all
the work to get the equipment, some LP's, a spot to stash it all,
then you get to have the real fun. I won't pretend this is a superior
form of musical performance. Files are infinitely more portable and
functional, not to mention a high level format like flac could
potentially blow vinyl out of the water. That said, there's a comfort
to the multiple step process it takes to turn on my gear, get out the
Superfly soundtrack and relax. It makes listening to music an
event again, and that was something I was really missing. I plan to
extend that feeling into major events as well, playing horror movie
soundtracks around Halloween or busting out holiday standards come
Christmas Eve with the family.
And that's the newest hobby to worm
its way into my bank account. I suppose that's the advantage of being
a 30 odd year old without kids. I'm allowed to try new things. Plus
it makes for a fine way to stay indoors and dodge the heat of summer.
From here on out I'll occasionally post reviews on specialty labels,
stores, accessories, and the like. Have any of you caught the record
bug? Like to share any tips or info for a post? Drop a line.
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