It's a little hard to believe it but
this weekend marked the fifth comic book flick I've seen in theaters
this year. Suicide Squad, the third attempt from DC Comics and Warner
Bros at turning out an actual decent film in their own interconnected
cinematic universe. You've probably heard already that it made oodles
at the box office over the weekend. Then again, so did Batman V
Superman during it's opening weekend all through what would be for
most movies a respectable run. Sadly that movie cost so much it's
still considered somewhat of a financial failure. One element the two
films do share at the box office is steep-decline in ticket sales
from Friday to Saturday. Who knows how it'll far over the following
weeks but for now we can discuss the quality of the film. This is
going to be a very spoilerific review so if you feel the need to see
this film with as much surprise as can be then don't read this. Do
know however that I very much urge you to save your time and money by
doing pretty much anything other than seeing this thing.
Similar to the previous DC effort, this
thing is very messy so I'll be taking it on in chunks ,
What is supposed to pass for plot
occurs almost entirely within the the first 40 or so minutes of the
film. Amanda Waller wants to form a team of the worst super-criminals
she can find in order to combat threats from metahumans, aliens,
demons, you name it. One of her prime candidates for this team is
June Moone, an archaeologist possessed by an ancient witch known as
Enchantress. Amanda keeps this particular fiend on a leash by
stashing the witch's heart in an explosive lined suitcase on her side
at all times.
On the night the team is given
clearance to be formed, Enchantress tries to take back her heart only
to find it inaccessible. Instead she teleports into Waller's closet
to find the statue containing the spirit of her evil brother Incubus.
Yeah...Waller knows these statues can house evil spirits so she just
keeps one unprotected in her house. Offended by the notion that
humans worships machines, the sibling pair of Enchantress and Incubus
take over Midway City and construct a beam of light that will
eventually kill everyone. The Squad is sent in without proper
briefing as to these events and is told to rescue someone important
within the city....that's about it. Oh, and the Joker wants his
girlfriend back. The rest is mostly bickering, backstabbing, and
slow-motion battles against magical pimple people.
Will Smith as Deadshot
Arguably the main character of this
tale, I mean he must be since we get like three different
introductions for him. Deadshot is a hitman who never misses a shot.
Seems simple enough but he's got a soft spot for his teenage daughter
who wants him to stop killing people for money. When spending time
with her around Christmas, Deadshot is taken into custody by Batman
who corners the pair in an alleyway and announces he'd prefer not to
do this in front of the girl, only to then beat Will Smith in front
of the kid.
Think about that for a bit. Batman, a
supposed hero, forged by the moment in his life when faceless goons
killed his parents in an alley shows up and starts a fist fight in
front of a child. He couldn't wait the 20 minutes for the girl to be
walked home? Adding to this little pile of misery is the girl
stepping in between the two of them while her dad points a gun at the
capped asshat. This scene is bad enough as is but then it gets
brought up again. During the final fight, Deadshot is about use
Harley Quinn's gun to shoot a pack of dynamite in order to destroy
the magical death machine. Enchantress presents visions of his
daughter once again in front of him, begging him not to fire. He mans
up enough to take the shot and when he does, I kid you not, the
revolver chamber on Harley's gun which has words written all over it
(everything does) rotates to the word “love” with this world
saving bullet. I nearly threw my hands up in defeat and walked out
except I'd already endured and hour and fifty minutes of this
nonsense.
Deadshot is in sort of an odd balance.
While I see plenty of the comic character here, there's also a lot of
Will Smith in his classic summer movie leading man routine. It's a
mode I've not seen him in for a long time and while it's sort of an
old hat his performance is still one of the better things the movie
has going for it. He's mostly charming and enduring if a bit too soft
for someone who's supposed to be a hardened killer.
Margot Robbie as Harley Quinn on the
other hand is not so solid. Essentially the second hero of our tale,
Harley is occasionally enduring but more often than not just plain
annoying. Even the way Margot plays the part is wishy washy.
Sometimes she's got the classic gangster movie girlfriend voice
going, other times not at all. Sometimes her comedic timing is spot
on, then it's nowhere to be found.
Likewise the writing for Harley Quinn
is all over the map. The movie wants to do everything with her at the
same time. She's a victim of an incredibly abusive relationship yet
it's still played up as some rebellious love affair for the ages.
Continuing on that trend, she's Joker's willing pet but some symbol
for female empowerment. She's ditsy and goofy yet has better aim and
combat abilities than an entire team of Navy Seals. The fuck?
There's not really any development for
her at all through the story. It's supposed to be a big deal that she
makes friends with the team but that really doesn't seem like much of
a stretch for someone who is in essence a violent child. It wouldn't
surprise me at all if her more importance scenes were left on the
cutting room floor where reportedly much of the Joker sequences were
left to rot.
Speaking of which, Jared Leto as the
Joker is......well shit. I don't really know what he is. Neither did
the filmmakers for that matter. For one there's no real reason for
him to be in this movie other than executives understanding that
people like the Joker.
Leto's performance is odd to say the
least. Imagine Jim Carrey's Riddler matched up with Al Pacino's
Scarface, then remove any attempt at class. He moans, growls,
fondles, the whole shabang. There's a chance that his version might
have worked if not for one huge fatal flaw, he doesn't do anything
all that evil. His henchmen take more lives than he does. At worst he
tortures Harley with electroshock but at the time she's giggling like
a madwoman in anticipation so it loses it's impact.
When trying to rescue his ladylove,
Joker opens fire on the squad and no one is hurt. He kidnapped a
scientist to disarm the bomb implanted in her neck yet he doesn't
take the opportunity to free the other villains and cause further
chaos. Hell. Even his texts are dull. It's just shit like “I”m
almost there.” If I'm getting a text from Joker it better be a
beautiful marriage of Popsicle jokes and dirty limericks.
The whole non-threatening villain
angle is a huge issue throughout the movie. They keep telling us how
nasty these people are but there's no evidence to support it. This
issue deepens with the Joker since he's supposed to be even more evil
than everyone else. Instead he just seems like another goof ina
costume.
Viola Davis fares somewhat better as
Amada Waller but the writing does her zero favors. I've already
mentioned the evil spirit containing statue in the closet but here's
another one for ya. She's the V.I.P. The team is sent to rescue. Why
they weren't allowed to know this is beyond me as it's a needless
twist and she'd already secured their cooperation via neckbombs.
She's in her own mini command center
with a small supply of Argus agents working for her. When the team
arrives to bail her out she immediately kills the aforementioned
agents because this was all above their clearance level. If it's
above their level then why on Earth are they in your personal bunker
to begin with? Plus you just killed a batch of highly trained workers
within your own agency. This makes the untested experimental team of
super-criminal killers your personal escort.
Soon enough she's involved in the
third major helicopter crash of the film. Don't worry, she's fine.
people shake off helicopter accidents in this thing like they tripped
on the curb. She does get taken hostage for the remainder of the film
which keeps the writers from making an even bigger mockery of her.
Her cronies on the other hand aren't so lucky.
Joel Kinnaman as Rick Flagg is just the
worst. I mean the character is awful. He looks and acts like a
methhead with penis envy. In every scene, even ones based in a decent
air conditioned hotel room he's sweating like he's got withdrawals
and perhaps that would explain his behavior.
When he first meets the squad it seems
like he's going to treat than with more respect than others have in
the past. He doesn't back down from Killer Croc, and is impressed by
Deadshot's abilities. Ten minutes later he's criticizing Deadshot as
a coward who'll turn tail at the start of trouble. Five minutes after
that he says he'll kill Deadshot if he turns tails. Then he gains
respect for him again, then he hates everyone again even after they
save his dumb ass multiple times over.
Kinnaman's acting isn't much better
than the character either. Wonky line delivery, and almost zero
charisma. He's just bad here. Not to mention I don't for an instant
buy his romance with June Moone.
While we're on that topic, perhaps
Cara Delevingne should feel blessed to get this role out so early in
her career. This role ranks as one of the most pointless, and
regrettable villains in comic book movie history. The girl maybe has
five or six lines in her human form that she stumbles through. She
spends the majority of the film dancing, poorly mind you, in front of
the CG doom machine she's crafted. All lines within that portion are
delivered by another actress. So for at least half of this two hour
movie this girl and her eyebrows bob, weave, and lip sync in front of
a green screen with little motivation.
There is an actual fight scene against
the Enchantress, luckily the lights get turned way down low to make
it easy to hide who's actually doing the fighting. What's great is
that this fight ends after like four minutes when Enchantress uses
her magic to disarm the entire squad. If you could do that in the
first place then why the fuck did you get in a fist fight with these
people?
Alain Chanoin plays the other baddie,
Incubus. In truth it's just a big pile of orange, glowy CG shit that
does little more than fire tentacles at people. The battle with him
includes possibly the most embarrassing moment of the night, but
first we have to talk about something that's actually kind of good.
Jay Hernandez as El Diablo is one of
the very few good things about the movie. A fire-conjuring gang
banger covered in countless tattoos who's taken a vow of peace after
some terrible event changed his life. The scene where he reveals his
secrets to the squad is the easily the best part of the movie. Most
of his performance is likewise above most of the others as he's asked
to play things more calm and cool.
Sadly, this all flies out the window
during the final showdown. After using his personal guilt to break
through some of Enchantress's illusions, El Diablo starts going on
about how these are his people, and he already lost one family, he
won't lose another. Then he turns into a big Aztec fire skeleton
thing and fights the other blob of orange CG, and I weep for the
future.
Poor guy sacrifices himself but you
don't really buy it since their getting taken out by a bomb. Do bombs
even work on guys that turn into fire skeletons? They must cause you
never see him again. Oh and for future reference, explosions beat
magic too.
You may not believe it but there's
even more people to talk about. Jai Courtney is in this as Captain
Boomerang. The more appropriate title for him would be drink Aussie
who occasionally uses boomerangs. Think of him as the Hawkeye of this
picture since like that archer's early appearance there's not a lot
for him to do. They try to make him the comic relief even though
there's plenty of jokes from the others. His fighting isn't anything
all to special either. He uses his boomerangs but he doesn't do
anything really special with em. It's like having a guy who knows
secret kung-fu that you find out is just regular kung-fu.
Adewale Akinnuoye-Agbaje's Killer Croc
was just a bad idea. He looks like something out of the Super Mario
Bros movie, his lines aren't funny, and that's when you can actually
understand the lines. Between his attempts at a deep southern accent,
pounds of make-up, and some ADR pitch changes after the fact only
half his lines can be understood. It's not the biggest problem around
though since he mostly stands in the background and growls.
Karen Fukuhara as Katana is something
I'm amazed the movie hasn't gotten in trouble for. Even in the comics
this character is pushing the Japanese stereotype shit a bit far.
About the only thing missing here is a gong every time she makes an
appearance. Once again this isn't helped by an almost complete lack
of development. Her only scene of moderate depth comes right before
the last fight when she's blubbering and talking to her dead husband.
It's totally out of left field after she's spent the entirety of the
film doing generic sword poses and muttering about justice and
bloodshed.
Adam Beach is around for like six
mintues as Slipknot before he tries to escape and his head
bloodlessly explodes. It comes as no surprise since he's the one
squad member without an introductory flashback.
There's a batch of Navy Seals
supporting the group throughout the film, the most prominent being GQ
as played by Scott Eastwood. I understand Hollywood wants to bank on
this guy's name and that woman think he's pretty but he's about as
interesting as a tax form..
There's so much else I could go on
about. The bloodlessly violence, the lazy pacing, the astoundingly
generic soundtrack composed of every song you were tired of by age
ten. Spirit in the Sky, check. Sympathy for the Devil, check.
Fortunate Son, check. Bohemian Rhapsody, you better believe it. It's
just bad, and not even amazingly bad, just lame, pathetic, and bland.
I'm not even sure why this is the
third film in DC's slate. Nothing happens, there's no grand
development. For as craptastic as Batman v Superman was, it at least
had progression and expanded their universe.
For a direct comparison to other
films, leaving the theater after this I felt about the same as I did
way back in 1997 after watching Spawn. Both are poor attempts at
cinema that try so desperately to be edgy and hardcore without
anything to back it up.
So that's the third DC shared universe
film down. So far their batting average is shit. Wonder Woman at
least looks like it's trying to be a real movie so maybe that can
help earn them a little credit. As it stands they haven't even made a
film that can match up to their CW shows. You guys got a long way to
go.
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