There's always a point in a story where
underlying themes begin to present themselves. Whether the creators
intended for such ideas to pop up is another matter of course as you
can get those bits of depth that were never planed out in advance.
Today's episode marks the advent of a strange realization on my part
thanks to the larger presence of the conductor/ticket and Ms. Wagon.
Despite this show's face value of imagination fueled train
superheroes it's starting to seem like one of those lifetime channel
movies where some thrill killers kidnap a batch of kids for a road
trip. No, really! Hear me out for a second.
Consider the conductor. A nameless
manchild who collects movies and refuses to be parted from his hand
puppet whom he swears is alive. His demeanor is very uptight and
sexless in direct contrast to the verbal abuse he throws out through
the puppet.
Now let's take Ms. Wagon into account.
While a robot by appearance she obsesses over vanity with her
narcissistic selfie addiction. Topping that off is a twisted focus on
romance and sexuality in situations that don't call for it. Take for
instance when she ties up Tokatti in ribbon to secure him in place
after a bomb has been placed on him. Considering that her main duty
is feeding the team, this very superficial outlook takes on a
sinister tone.
Don't take this to be some kind of
condemnation of the show. If anything I think this adds that extra
layer of madness that any proper tokusatsu requires. Of course I'm
waiting to see what the eventual explanation for these two is. Will
they be figments of the teams collective imagination standing in for
what they believe adults to be like? Or are they truly magically
beings who spirit people away?
While I wait for those answers I
suppose I should give an overview of our tale. Pretty simple one
today. The crew heads into a town tracking the signal of the old
diesel train car so they can gain its support. They fight a monster
and seemingly destroy it only to find that a smaller version of it
sneaks onto their train and starts fucking things up. Oh and right is
tracking down another support train.
The idea of the team dealing with
sabotage on their train had the potential to be something special
given the proper execution. Sadly we weren't so lucky this time.
While the action is ok and we get a few good bits of comedy (most
notably from the aforementioned kidnappers) the other characters were
just sleepwalking through this one. Especially Right who almost
completely ditches the dumb proactive persona I enjoy so much in
favor of getting all misty eyed over the old diesel train he's been
sent to track down. This isn't explained either. He just gets all
serious about it cause it's old.
Hope everyone out there had a good
Easter. I had a really, really good one myself. Now if you'll excuse
me, I'm off to snatch up the last egg shaped candy.
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